Friday, 3 June 2016

gothic revival

The 19th Century saw one of most prominent styles of its time. Gothic Revival, with designs inspired from the Middle Ages, were a combination of serious studies and a more fanciful, romantic medieval chivalry and romance came together to create this unique era.
The Gothic Revival style, 1830-1900, blossomed and its design was interpreted in many religious, civic and domestic buildings built at the time.

Characteristics Architectural Elements
19th Century designers were greatly inspired by Gothic buildings from the 12th to the 16th Centuries. Renowned for its pointed arches, steep-sloping roofs and decorative openwork patterns, Gothic Design, liberates itself to us in this glorious and distinctive look.

Heraldic Motifs, found in coat of arms, was the result of research and studies composed from medieval chivalry in the 19th Century. Painted Furniture with elaborate painted scenes was characteristic of the Gothic Revival Style.
In the second half of the 19th Century, Historical Costumes, particularly those of the middle ages, captivated the people of those times and fancy dress events and parties became extremely popular. 

People:
AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852)
The writing of Pugin, particularly Contrasts (1836) and True Principals of Pointed or Christian Architecture (1842) had a major influence on the style and theory of this era.  It was he that urged designers to work from the basic principles of Medieval art.
His work included St Giles in Cheadle, Church, Straffordshire, the Palace of Westminster and numerous designs for furniture, metalwork, ceramics, stained glass and wallpaper.



John Ruskin (1819 - 1900)
John Ruskin was the most “influential art critic of this day”. His travels in Europe, and detailed watercolour studies, stirred up his interest in Medieval Architecture. The decoration and colour of buildings was his strength.  The Seven Lamps of Architecture (1849) and The Stones of Venice (three volumes, 1851-1853), were his most sought after books. He promoted the return of the “spiritual values of the Middle Ages”

Description: John Ruskin Description: John Ruskin

William Burges (1827 - 1881)
William Burges was known for his originality in design which also included furniture and metalwork.  His works included the art of the Middle Ages, the Islamic World and East Asia. Two of his most lavish buildings in Britain, Cardiff Castle and Castell Coch. Both their exterior were Inspired by French Medieval Castles whilst the interiors are enriched with coloured ceilings, panelled walls and painted ceilings.

Description: William Burges Description: William Burges






Buildings and Interiors
The Palace of Westminster
In 1834, the British parliament building, was destroyed by fire. It was decided at the time that the new building should be rebuilt in the Gothic Revival Style, which by then was considered a British style. The building took 30 years to build and was designed by Charles Barry. His assistant, A.W.N. Pugin provided most of the Gothic detail. It is considered to be the largest and most dramatic Gothic Revival building in the world.

All Saints' church, Margaret Street, London
It was then, in the 19th Century, when old churches were being restored and new ones built. Almost all boasted Gothic Revival style. All Saints, was designed by William Butterfield and built in the High Victorian Gothic style between 1850 to 1859. The Architectural influence of this design was not medieval inspired. The differently coloured bands of bricks on the exterior and the polished coloured stone and richly patterned walls and floors on the interior is a perfect example of High Victorian Gothic style.


St. Pancras Station
The 19th Century saw also the age of railway construction and St. Pancras, then the London terminus of the Midland Railway is living proof of this. The Grand Hotel, was designed by George Gilbert Scott, one of the most renowned Gothic Revival architects. Built between 1866 and 1876, it has a curved brick façade, arcaded windows with polished granite shafts and an elaborate skyline and clock tower. Inside there are lavish staterooms and a dramatic staircase supported by exposed iron beams.
St.Pancras International Station, as it is known today, with international links to Paris sees thousands of commuters passing through this spectacular and grand national treasure every day.


de stijl


This style originated in the Netherlands during the early 1900s as a rejection of ArtDeco, a highly decorative style which the people started to dislike. The style promoted harmony using simple forms and primary colours.

Gerrit Thomas Rietveld is one of the most well know architects of this style. Besides architecture he focused on furniture design as well. Mostly knwn for the Red and Blue Chair and for the Rietveld Schröder House. The red and blue chair created in 1918, is a chair constructed using simple shapes (squares and rectangles) and primary colours mainly red and blue as the name itself suggests. Retivield built the chair using only wood and he didn’t pay much attention to ergonomics since it doesn’t seem to look comfortable for the human body at all. Meanwhile the Schroder House was also designed by him along side Mrs. Truus Schröder-Schräder. With similar qualities to the international style this small flat roofed house , has become a UNESCO World Heritage Site

References
http://www.moma.org/collection/works/4044
https://en.wikipedia.org/wiki/Rietveld_Schröder_House

infographic









report


For our presentation we chose to talk about the gothic revival movement. I was appointed the gothic sites found in Gozo, our groupwork consisted of sites all over malta and parts of gozo. As a group we were all supposed to go round and see the sites together as to have a good idea of the gothic revival in malta and gozo, personally I learnt a lot in our site visits and helped me understand the style more. We had abit of miscommunication between some people in the group but all in all we managed to do just fine. I found it very interesting and helpful.

Thursday, 2 June 2016

The International style




The international style was an architectural style which flourished between the 1920s and 1930’s in America but later spread throughout Europe. Deeply inspired by the Bauhaus movement, it also came about due to the disinterest in the ornamental elements on buildings from the previous styles.  Secondly there was a discovery of new materials including reinforced concrete, steel and glass. Lastly, due to an increase in the work industry there was a need for more commercial buildings.

Henry-Russell Hitchcock and Philip Johnson first started using the term after an exhibition that was held at the Museum of Modern Art in New york. This was an introduction of the International style. Philip Johanson described the style as being “probably the first fundamentally original and widely distributed style since the Gothic.” (Philip Johanson, n.d.)  Leading designers of this style include Walter Gropius, Le corbuiser, Ludwig Mies van der Rohe . Typical features include; flat roofs, no decoration, modern materials, rectilinear forms, open spaces and natural lighting.

Well known buildings of the International style:











The Fagus Factory by Walter Gropius
Villa Savoye by Le Corbusier








                                                                                              
                                                                                                                                                             
                                                                     













First National City Bank, NYC



Barcelona Pavillion

The Barcelona Pavilion also sometimes refered to as the German Pavillion,  by Ludwig Mies Van Der Rohe is a perfect example of this style. It is interesting to mention since we are working on creating visuals of this building in another unit using programs such as 3DS Max and also Photoshop. The pavilion can be found in Barcelona, Spain as the name itself suggests. A rather simple building that represented Germany’s leap in the modern style after the World War 1. Materials that Van Der Rohe used include Steel and glass which show characteristics of the International Style apart from the flat roof, simplicity and open space. It is important to also note that the International style had a habit of connecting interior spaces to exterior ones which is exactly what this architect planned to do. Apart from these features the structure includes two outdoor pools, a bronze sculpture and various symmetrical marble walls which give life to the overall building. Only a few sources of artificial light were added to the building to illuminate the walls and interior at night. The Pavillion is open for the public till this day and has become quite a landmark.  




References:

Kroll, A., 2011. AD Classics: Barcelona Pavillion/ MIes Van der Rohe. ArchDaily. Available from: http://www.archdaily.com/109135/ad-classics-barcelona-pavilion-mies-van-der-rohe  [Acessed 30 May 2016]


Merin, G.,  2013. AD Classics: Modern Architecture International Exhibition / Philip Johnson and Henry-Russell Hitchcock. ArchDaily. Available from :http://www.archdaily.com/409918/ad-classics-modern-architecture-international-exhibition-philip-johnson-and-henry-russell-hitchcock [Acessed 30 May 2016]

Craven, J., 2016.     Modernism - Picture Dictionary of Modern Architecture. About Home. Available from: http://architecture.about.com/od/20thcenturytrends/ig/Modern-Architecture/International-Style.htm [Acessed 30 May 2016]

Visual arts cork. N.d. International Style of Modern Architecture . American Archietcture Series.  Available from: http://www.visual-arts-cork.com/architecture/international-style.htm [Acessed 30 May 2016]

Wednesday, 1 June 2016

Memphis Group

       


         
  The Memphis Group was founded by Ettore Sottsass in Milan in 1981. The group consisted of:
Ettore Sottsass (founder), Michele De Lucchi, Marco Zanini, Mateo Thun, Nathalie Du Pasquier and George Sowden. The Memphis group paved the way of post modern designs. They did this by using bold and decorative designs.

Ettore Sottsass (1917-2007) 

           


Ettore Sottsass was born in austria but grew up in Milan,Sottsass designs were both unique and clear and thanks to that it influenced a good amount of movements after him. He was mostly known for four main things being:
The use of bright colours and gloss finishes, 
Odd angled shapes in his design,
Slick surfaces and also laminated patterns.
below are some images that show clear examples of some Sottsass's designs





Bookcase (1981)
Westside Lounge (1983) 




George Sowden (1942-  )

         
          George Sowden was born in 1942, he was brought up in leeds and moved to Milan in 1970, Sowden is one of the co funders of the memphis group. there designs also influenced a significant amount of designers in the 80's following that Sowden also started his own design studio named Sowden Designs which was found to be very successful and collaborated with a lot of big companies such as : Olivetti, Alessi,swatch and many more renowned companies. Sowden was awarded a great amount of rewards one of them being the ADI Compasso D'oro in 1991.






Bordelamp 1984
Black 

The two designers were both very influential to Post Modernism because of there bright coloured,odd angled shapes and the iconic gloss finish.  





refferences:
Memphis Group". Wikipedia. N.p., 2016. Web. 18 Apr. 2016.
Ettore Sottsass And Design And Technology". Design-technology.org. N.p., 2016. Web. 17 Apr. 2016.
George Sowden". Wikipedia. N.p., 2016. Web. 17 Apr. 2016.